Skip to content

Christmas Oratorio in Norway with The Norwegian Wind Ensemble

Rebecca looks forward immensely to returning to work with Det Norske Blåseensemble in Halden, Sarpsborg and Moss for Bach’s Christmas Oratorio / Juleoratoriet together with the Borg Vokal Ensemble and soloists Beate Mordal, James Oxley and Jens Søndergaard, directed from the harpsichord by Steven Devine.

Here’s a link to the three concerts.

Review in Opera Magazine – October 2019

Following a blazing hot summer season at West Green House Opera, Die Fledermaus, conducted by Jonathan Lyness and directed by Richard Studer has been reviewed by Yehuda Shapiro in Opera Magazine:

Rebecca Afonwy-Jones was pretty much ideal as Orlofsky, firm and spicy of tone and not excessively dissipated.

 An edited version appeared in The Stage on 24th July 2019.

 

The Barber of Seville at The Tobacco Factory Theatre, Bristol

Tonight Rebecca opens at The Tobacco Factory Theatre, Bristol in her role debut as Rosina in THE BARBER OF SEVILLE, with conductor Jonathan Lyness and director/translator Richard Studer. The production is sung in English and promises to be an up-close show, in the round, packed with the customary humour and pathos associated with Rossini’s brilliant score.

It’s also a rare chance to catch Dr. & Mrs Close singing together, since Rebecca’s husband, Julian Close is performing the role of Don Basilio!

September 18,20,21,24,25,27,28 / October 1,2,4,5

To book tickets click here

Tete a Tete Opera Festival 2019 – Madam Butterflop

Wednesday 24th July 18:30

Following the tumultuous success of previous hits such as Bohemergency & Toscatastrophe, Bill Bankes-Jones and Tim Burke will craft a new hit, Madam Butterflop to open this year’s  Tete a Tete Festival. For ONE PERFORMANCE ONLY, Rebecca will appear as Suzuki, with Mary Plazas as Cio Cio San.

Anything could go wrong…prepare to be bemused!

Madam Butterflop  <—- details here

Cubitt Sessions, Coal Drops Yard, Kings Cross   <—- directions here

 

 

Rebecca’s BBC page

Following her last visit to BBC Radio 3 In Tune, you can hear excerpts here from her live, unedited performance, accompanied by Timothy End at the piano.

 

Rheingold, Rheingold, reines Gold!

Rehearsals are underway for Longborough Festival Opera’s Ring Cycle, beginning with Das Rheingold opening on June 5th. Together with her fellow Rheinmaidens, Mari Wyn Williams and Katie Stevenson, Rebecca is thrilled to make her debut at Longborough Festival Opera, conducted by Anthony Negus and directed by Amy Lane.

Later in June, Rebecca looks forward to rehearsals for Die Fledermaus with the dynamic artistic partnership of Richard Studer and Jon Lyness for West Green House Opera, together with wonderful colleagues including Stephanie Corley, Peter van Hulle, Ben Bevan and Galina Averina.

http://westgreenhouseopera.co.uk/whats-on/die-fledermaus/

Review for Messiah with Norwegian Wind Ensemble conducted by David Hill

In the latest edition of Gramophone Magazine, Rebecca features in the review of Resonus Classics’ release of Handel’s Messiah, conducted by David Hill, with The Norwegian Wind Ensemble and The BBC Singers.

…Rebecca Afonwy-Jones gradually warms to her task with a touchingly open-hearted simplicity in ‘He shall feed his flock’ and a finely honed reading of ‘He was despised’.

Jonathan Freeman-Atwood, Gramophone magazine, February 2019

This link will take you to He was despised